Aperture Priority
for Creative Effect |
Using the camera’s Aperture Priority Mode will allow
you to control the shutter speed and depth of field. |
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Introduction |
The aperture – the opening that
permits light to pass into the
camera – is controlled by an
adjustable diaphragm. Obviously, a
larger opening will allow more light
into the camera than a smaller one.
Aperture sizes are expressed as
f-numbers, as illustrated in the
table.

F-numbers
are expressed as fractions and not
as whole number.
|
F-numbers
|
Fractions
|
Opening & Amount of Light
|
|
F/2.8
|
1/ 2.8
|
Larger – More Light
|
|
F/5.6
|
1/ 5.6
|
Medium – Average Light
|
|
F/11
|
1/ 11
|
Small – Less Light
|
This
causes some confusion for many
people. The smaller F-number like
F/2.8 has larger aperture opening
than larger F-number such as F/11.
In summary:
|
Bigger F Number
|
Smaller Aperture Opening
|
|
Smaller F Number
|
Larger Aperture Opening
|
The standard f-numbers are:
|
F/2.8 |
F/4 |
F/5.6 |
F/8 |
F/11 |
F/16 |
|
More Light |
Average Light |
Less Light |
You
can control the amount of light
that enters the camera’s sensor by
adjusting the size of the aperture.
When you use your camera’s Aperture
Priority Mode, you fix the size of
the opening. Your camera selects the
appropriate shutter speed that will,
in combination with the size of the
aperture, yield a proper exposure. |
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|
Large Apertures Outdoors |
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|
In early morning, the available
light is soft and low. Using a large
aperture allows the maximum amount
of light to enter the camera. In
this case, setting the aperture at
f/2.8 necessitated a shutter speed
of 1/60th of a second.
Had the Auto Exposure Mode been
chosen, the camera might have
selected a small aperture and a
slower shutter speed. That would
likely have resulted in unwanted
blurring because of the motion of
the cubs.
|
Smaller
F-number =
|
Larger
Aperture Opening
|
|

Lion Cubs (Kenya) |
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|
Large Apertures Indoors |
|
|
There are occasions when indoor
lighting is very dim. In this temple
the main source of natural light was
the window. The selected aperture of
f/8 gave a reasonable depth of
field. The resulting shutter speed
of 1/15th of a second was
the minimum speed needed to render
the monk sharply. A tripod and cable
release were used to eliminate
camera movement or vibration.
|
Smaller
F-number =
|
Larger
Aperture Opening
|
|

Monk Praying (Burma) |
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|
Small Apertures at Night |
|
|
Small apertures such as f/11 and
f/16 allow less light to reach the
camera’s sensor. As a result, the
camera automatically decreases the
shutter speed in order to obtain the
correct exposure.
Setting the Aperture Priority Mode
at f/16 for this picture meant the
camera chose a shutter speed of 1/30th
of a second. The slower shutter
speed resulted in a slight blurring
of the carousel lights and captured
the sense of movement the
photographer sought.
|
Bigger
F-Number
=
|
Smaller
Aperture Opening
|
|

Carousel |
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|
Small Apertures during the Day |
|
|
In
this photograph of a waterfall, we
set the camera’s Aperture Priority
Mode to its smallest aperture f/16.
In this case, the shutter speed
automatically defaulted to 1/15th
of a second.
The
slower shutter speed gave the
picture a soft cotton wool effect. A
tripod and cable release were used
to avoid camera movement
|
Bigger
F-Number
=
|
Smaller
Aperture Opening
|
|

Water
Falls (Sichuan, China) |
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Conclusion |
Once you become accustomed to the
principle that a larger aperture
will result in a fast shutter speed
and that a smaller aperture will
force the camera to select a slower
shutter speed, you can create a
variety of interesting photographic
effects using the Aperture Priority
Mode. |
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