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    Home » Photo Techniques » Camera Setting » Aperture Priority for Creative Effect

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Photo Techniques
Camera Setting
Auto Exposure
Exposure Compensation
Shutter Speed -
Fast or Slow
Shutter Priority - Slow
Shutter Priority - Fast
  Aperture Priority
for Creative Effect
Aperture Priority
for Depth of Field
Composition
On Location
 
 

Aperture Priority
for Creative Effect
Using the camera’s Aperture Priority Mode will allow you to control the shutter speed and depth of field.

Introduction

The aperture – the opening that permits light to pass into the camera – is controlled by an adjustable diaphragm. Obviously, a larger opening will allow more light into the camera than a smaller one.

Aperture sizes are expressed as f-numbers, as illustrated in the table.

F-numbers are expressed as fractions and not as whole number.

F-numbers

Fractions

Opening & Amount of Light

F/2.8

1/ 2.8

Larger – More Light

F/5.6

1/ 5.6

Medium – Average Light

F/11

1/ 11

Small – Less Light

This causes some confusion for many people. The smaller F-number like F/2.8 has larger aperture opening than larger F-number such as F/11. In summary:

Bigger F Number

Smaller Aperture Opening

Smaller F Number

Larger Aperture Opening

 

The standard f-numbers are:

F/2.8 F/4 F/5.6 F/8 F/11 F/16
More Light

Average Light

Less Light

You can control the amount of light that enters the camera’s sensor by adjusting the size of the aperture.

When you use your camera’s Aperture Priority Mode, you fix the size of the opening. Your camera selects the appropriate shutter speed that will, in combination with the size of the aperture, yield a proper exposure.

Large Apertures Outdoors  

In early morning, the available light is soft and low. Using a large aperture allows the maximum amount of light to enter the camera. In this case, setting the aperture at f/2.8 necessitated a shutter speed of 1/60th of a second.

Had the Auto Exposure Mode been chosen, the camera might have selected a small aperture and a slower shutter speed. That would likely have resulted in unwanted blurring because of the motion of the cubs.

 

Smaller 
F-number =

Larger Aperture Opening

 

Lion Cubs (Kenya)

Large Apertures Indoors  

There are occasions when indoor lighting is very dim. In this temple the main source of natural light was the window. The selected aperture of f/8 gave a reasonable depth of field. The resulting shutter speed of 1/15th of a second was the minimum speed needed to render the monk sharply. A tripod and cable release were used to eliminate camera movement or vibration.

 

Smaller 
F-number =

Larger Aperture Opening

 

 

 

Monk Praying (Burma)

Small Apertures at Night  

Small apertures such as f/11 and f/16 allow less light to reach the camera’s sensor. As a result, the camera automatically decreases the shutter speed in order to obtain the correct exposure.

Setting the Aperture Priority Mode at f/16 for this picture meant the camera chose a shutter speed of 1/30th of a second. The slower shutter speed resulted in a slight blurring of the carousel lights and captured the sense of movement the photographer sought.

 

Bigger 

F-Number =

Smaller Aperture Opening

 

Carousel

Small Apertures during the Day  

In this photograph of a waterfall, we set the camera’s Aperture Priority Mode to its smallest aperture f/16. In this case, the shutter speed automatically defaulted to 1/15th of a second.

The slower shutter speed gave the picture a soft cotton wool effect. A tripod and cable release were used to avoid camera movement

 

Bigger 

F-Number =

Smaller Aperture Opening

 

Water Falls (Sichuan, China)

Conclusion

Once you become accustomed to the principle that a larger aperture will result in a fast shutter speed and that a smaller aperture will force the camera to select a slower shutter speed, you can create a variety of interesting photographic effects using the Aperture Priority Mode.



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